Traditions have a sweet way to structure, to rythm your life. There are a few traditions, almost rituals I would say, that I observe every year. Listening to Wagner’s Parsifal is my Good Friday one. Today is the day, Mittag. – Die Stund’ ist da. Read the rest of this entry →
New York recital to honor World AIDS Day on December 6, 2009 with Gilles Denizot, Heldentenor and Mimi Stern-Wolfe, pianist Read the rest of this entry →
KAPMEN? Based on Carmen by Prosper Mérimée and Carmen by Georges Bizet
Adaptation and direction by Gilles Denizot
Premiered on May 15, 2009 at Pierce Studio Theater, Athens/Greece
Director’s Notes
Πᾶσα γυνὴ χόλος ἐστὶν· ἔχει δ’ ἀγαθάς δύο ὥρας, Τὴν μίαν ἐν θαλάμῳ, τὴν μίαν ἐν θανάτῳ.
Woman is like poison; but she has two good hours, in bed, and dead.
Palladas Read the rest of this entry →
From the 24th to the 31st of March 2009, I was a jury member of the S.H.M.O. Vocal Competition in Athens, Greece. This competition is organized every other year by the “ΣΩΜΑΤΕΙΟ ΗΘΟΠΟΙΩΝ ΜΕΛΟΔΡΑΜΜΑΤΟΣ ΟΠΕΡΕΤΑΣ”, opera singers association founded in 1955. Read the rest of this entry →
Gilles DENIZOT, le ténor héroïque d’OperaLab
Ecrit par Céline DANCKERT, le 22-10-2008 01:00
Sur son Ipod, il écoute de l’électronique, du jazz et de la musique grecque. Éclectique, à l’aise dans tous les métiers et dans toutes les langues, Gilles Denizot jongle avec les neuf studios de répétition d’Operalab et parvient à être partout à la fois.
Gilles Denizot, le don et l’envie de le débusquer chez les autres (photo. C. Danckert) Read the rest of this entry →